Back in the previous century, I was a sculptor working in bronze, acrylics, wood, glass and plaster, to create pieces that delved deeply into the mystique formulated by my sculpture teacher Renzo Fenci, at Otis Art Institute, where I studied sculpture and 3D art, as “a grouping of interpenetrating masses”, and that’s how I sculpt.

I take masses and cram them together, pass them through one another and in other ways distort and adapt, to create a finished product that is in fact a self-contained universe, similar to the one in which we now seem to live. Continue reading →