You enter a blackout state after Mortuary, and when you awaken from this deep, deep sleep, you find yourself on an island in an endless ocean. There is a tall metal building ahead of you, which seems to be your only option. Continue reading
Atlantean Machine Pendants — NEW NEW NEW —
My original ancient Triads are being housed in a permanent collection, after photography for posting in my ancient museum of Atlantean artifacts on the internet. All my present-day models are based upon the original designs, fashioned over 7,500 years ago.
Today, I use the fabulous color-shifting Steven Sax EMO bead and the incredible solid copper Hedgehog spacer or the Pewterized Copper Hedgehog for companion Triads, and only the very best purest heavy-gauge copper wire I can get. Continue reading
Ancient Triad Reconstructions & Modern Triad Reproductions of Ancient Triads
The CLASSIC Triad is made with Normal Blue Mermaid EMO color-changing beads for the focus points, Floral EMO Tubes and solid handmade pure copper HEDGEHOG beads, formed on a solid .16 gauge pure copper CORE wire, joined at the corners to form a powerful triangular focusing device used by the ancients in almost every early civilization.
While they were used mostly for healing, the ancients had other purposes to which they put the Triad and other Atlantean Machines. The solid gold discs are hand-artisaned with the Atlantean symbol, and are used in the acrylic capsules for focusing the particle beam from the Triad to the target area.
In ancient times, gold coins were used, and genuine ancient gold coins from about 450 B.C. are available for about $4,000 apiece — you’ll need three of them to begin with. Ancient gold coins are so expensive that it’s just not worth it. The sold 24k gold discs I make are inexpensive and contain enough gold in them to interact with the energy beam. Continue reading
Atlantean Machines Are Here!!!
Cadiz in south-eastern Spain was once a small resort town near the capital city of Atlantis. Sometime in the ancient past, a tsunami destroyed everything in its path for sixty miles or more inland from the coast, leaving the present coastline, more or less, which could easily have been interpreted by ancient peoples as the submergence of an entire continent.
The same building styles and town layouts occur on the mud flats inland of the catastrophe, and settlements just outside that circle show the same building styles and layouts of the lost cities of Atlantis. Underwater exploration will soon yield artifacts and other supporting evidence that this is, at last, the true Atlantis about which Plato spoke.
Some of those artifacts that come out of the Atlantis excavations in the near future will be devices such as the one I’m introducing to modern, you should pardon the expression, “civilization”. Continue reading
How Does an Artist Look at a Coin???
How does an artist look at a coin? What does an artist see in a coin? Depends upon the artist, the coin and the circumstances, but what I’ll share with you is my own experience as both an artist and a coin expert. Each coin is unique, has its own story to tell, measured by its own experiential journey through the Wheel of Circulation. I will often select a coin only by its unusual, sometimes even bizarre, appearance. Am I wrong in viewing coinage as art objects? I don’t think so. We wouldn’t dream of scraping down the greenish bronzes that come down to us from ancient Greece, yet the ancients saw the statues painted, not raw and eaten up by rust, as we customarily like to see them.
See You At The Top!!!
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