A Jazzy Show Catalogue of Renaissance & Modern Art

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JOAN MIRO — Original Mourlot Hand-Pulled Stone Lithograph printed on wove paper, it is the back cover of ” XXe Siecle #4″, published in 1954; edition size about 5,000, probably a few hundred circulating around nowadays, or far less, as a result of many of them falling into a permanent collection of a library, university or museum. A very rare original print with lots of early primitivism and strong paint strokes. The double “X” signifies the “twentieth century” aspect of the famous high-grade French art “magazine” of the Golden Age of Art. Condition is Extra-Fine.

Bidding Range: $950 – $1500

SIDE-NOTES: This is hard to find, and expensive to buy, with no hope of “fast turnover”. It may take years to sell a print in a gallery. There are  some XXe Siecle originals on eBay, and a lot of things that people THINK are XXe Siecle that are also there. Some prints are as low as $30 bucks or so, when the seller is unaware of the value of the print, and when the artist is not as well-collected, highly valued or among the “Big Name Artists” like Rembrandt, Renoir, Chagall, Miro, Picasso, and Matisse. It’s not a good idea to seek out bargains in the art market. You pay for what you get, and you get what you pay for. Continue reading

Have you seen these eBay listings?

The Easter “Sweat Yer Butt Off” Workshop is only days away!!! Wake up & live!!! We will do all sorts of unusual things at this Weekend Festive Spring Celebration and new and interesting work tools will be introduced and demonstrated, along with accelerated power-prayer & more.

click here for online attendance info
click here for in-person attendance info Continue reading

Your Museum Donation Could Make History!!!

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Original Signed Picasso Copperplate Engraving of Ballet Dancers, 1945.

I have several museum-grade collections just sitting in three bank vaults — important art historical art and literature collections that would be highly appreciated by any public institution that received them. They are of the highest caliber and significance. You might want to purchase one or more of them and donate them to your favorite museum, university or library or build a space to house one or more of these collections. All the collections are legal to own, and have been on public display in the United States for more than half a century.

Typically, museums don’t buy things — they expect them to be donated, and many people enjoy tax benefits from buying collections and then donating them to a museum, library or university, as well as other venues such as jazz schools, jazz clubs, jazz and art academies and even malls and shops, medical waiting rooms and hospital hallways, where the weight limitations are very important and easily met by our display team technologies, and several folks have donated their collections to local Elks clubs and other public benefit organizations.

There are many other benefits that might accrue for you or someone you know, resulting from the donation of an important art or history collection, not the least of which is the sheer pleasure you get from sharing with thousands of people the beauty that you have discovered in your life, possibly bringing love, joy and beauty to theirs as well.

In addition, if your gift is important enough, you might have a Hall or a Wing named after yourself, or a loved one in memoriam, or you might elect to donate anonymously or posthumously or both. I’d discuss Living Trusts and other instruments with my accountant and attorney before making any decisions, though — you never really know what your options are until you check with the professionals for professional advice that they can guarantee and for which they take responsibility. Continue reading

Enamel Granulation — A New Technique — A New Art Form

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These are not granulation, but are paper arts enamels.

I think I just invented enamel granulation, at least in the New Age Material I’ve been using with what amounts to a cheese fondue dish combined with a professional hair dryer and a few common kitchen utensils — clearly, that’s where the paper enameling technology that I buy and use must have first spawned, and if you look at the products typical of the art form, you’ll be disappointed in the very ordinary kind of products — things that amount to “VANILLA” in any language, meaning that there is absolutely no exploitation of the Fine Art effects that can be brought out of the medium. Continue reading

Fine Art Auction September 2015

FINE ART AUCTION SEPTEMBER 2015

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2006-005    Gallery Tag: $3,500
Artist:  Y. Helman
Medium:  ORIGINAL Oil on canvas
Title:  “Cape Pleasant, 1965”
Signature:  Lower right hand corner of the image
Size:  20” x 28”
Frame:  Original Vintage Handmade Custom Wood Frame
Condition:  Excellent Continue reading

Voyaging in the MacroDimensions NEW RELEASES

Many years ago, back in 1971, before there were videocams and long before there was digital, we purchased an ENG — Electronic News Gathering video system, like the kind used by the local TV stations and some networks. The unit weighed upwards of 30 pounds, and the battery likewise. One person carrying and handling the 20 pound video camera, the other carrying the giant “portable” helical-scan 1/2″ tape recorder.

The sun could burn out your camera’s vidicon tube. You couldn’t make a video in low light, and movement tended to blur. Breakup of the image was normal in this unit, and you’ll see lots of it, especially at the beginning of each tape.

Many of the earlier videos were experimental, trying to find out what the camera and recorder could capture. We bought two studio type cameras and a larger Sony video recorder for the house. The portable ran on batteries, the larger units did not.

Several of the videos were made at Red House, mostly in 1971 and early 1972, when we left Crestline for Cowichan Centre for Gestalt Learning, in Duncan, British Columbia, at the request of Fritz Perls, Ray Walker and Sarah Warsher. Continue reading

Time Travel with Ancient Beads

Be free from the confines of time, new for 2015.

If you’ve ever wanted to contact a past life, ancient beads are a great and inexpensive way to make solid and powerful quantum connections. Since I acquired my ancient beads, which was from 1960-1989, I’ve been salting them away for psychometric use.

Many of the more expensive beads went into Jewels of Ancient Lands productions, sold many years ago in Beverly Hills, San Francisco, New York & Atlanta jewelry boutiques for many thousands of dollars.

Those fabulous ancient and medieval glass and stone beads are long-gone, and cannot be repeated. The bead market that came out of Mali, Africa, has vanished forever — all you’ll find at that once-great international bead market are beads coming out of other places, notably Pakistan, China and Ethiopia. Continue reading

EJ Gold New Graphics — BardoTown Full-Color Greeting Cards —

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BARDOTOWN FULL-COLOR PHOTOPRINT GREETING CARDS $8.95

Now, at last, my pinhole-photography taken with my antique Canon AE-1 with Fuji Color Film, is available as stunningly color-printed on a million-dollar printing machine, and mounted professionally on a 100% archival heavy rag cream pastel paper with a matching envelope, packaged for resale & counter-top & Point-of-Purchase racks. Wholesale price is only $3.95 apiece, no further discount. These cards are expensive to produce, but totally worth it. We make about a quarter a pop for all our work and financial risk — we print these on spec, hoping they’ll sell, and so far, we’ve been lucky.

So won’t you give my BardoTown photo greeting cards a try? They look great, and sell well, and they’re a great way to introduce subjects like parallel worlds, past lives and end of life. Continue reading

EJ Gold New Graphics — Photo ArtPrints of Nevada City

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“OLD FIRE STATION, NEVADA CITY, CA.” by EJ Gold

PHOTOGRAPHIC FINE ART PRINT LARGE SIZE GREETING CARDS — $8.95

These Fine-Art Photo Greeting Cards come in a fantastic resale pack with high-quality archival 100% rag pastel and cream shades. Card, envelope & packaging look incredible, totally professional and 100% better than Hallmark. The high-grade paper card is imprinted with “EJ Gold” actual embossed signature. There is no card on the market like this card. It is clearly handmade, artist-crafted, and the photos were taken in the worst weather, to get that great “look” and “feel”. Most photographers would not do that just to get a better photo. For some shots, I waited a month to get the “right” shot. The $8.95 price-tag is the retail. These were created for my resellers to work from — you can order photo cards of anywhere in the world, and I can do it — don’t ask how, unless you’re prepared to attend a couple dozen workshops to learn the secret.

These cards are expensive as hell to produce — each card makes about 25 cents profit, at the wholesale price of only $3.95 apiece, if you buy in quantity, at least 24 cards, and you can mix & match between over 500 pieces of original artwork and photographs. Continue reading

EJ Gold New Graphics — Adobe Home Photo Art Prints

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PASTEL PRINT — “Gesture Bass Player”, Signed & Dated in the Plate.

The Bass Player is a fast drawing, and the pastel work respects the rapidly sketched impression.

NEW GRAPHICS — GESTURE PASTEL PRINTS — $25 each, they fit into 5″x7″ frames quite nicely, but they come unmatted and unframed for the wholesale price of $25. You can frame these and sell them at a nice profit if you do the work yourself. Continue reading