Most people don’t walk around in a necklace made with genuine antiquities, and most folks don’t know the difference between an antique and an antiquity, and furthermore, most folks don’t know that they’re even allowed to own a genuine ancient item, nor would they be able to easily afford it — they’re not cheap, and they’re not easy to find, not real ones, anyway — there are a LOT of fakes out there, so beware.
What is an antique? Do we really know? Is there a Webster’s Standard definition of an antique? Continue reading →
I just now finished Orb #30 — Tikal — for the Past Life Orb Cluster. Each Orb is differently decorated, but is the same architecture, to make it easier for the professional Runner or Coach to assess and run effectively & efficiently.
It’s all about the swing & sway, and that’s what the Coach’s job is all about — getting the Runner to feel comfortable and competent in the Orb Run.
Here are FIVE Work Things YOU Can Do For Free!!! None of these will cost you a cent, and they’ll hardly cost you anything in time & effort. Because they’re totally, absolutely cost-free, they offer no opportunity to bullshit about why you aren’t doing them.
LIKE — Click the “LIKE” button on the things you like that I’ve published or posted.
COMMENT — Just a few seconds of your time to add a short one-sentence or one word comment, such as “cool” or “wow”, would create a lot of wave action, which is to say, “pool-chain-emanations” outward in all directions, just from your simple “additive” action, by posting a short comment. You can have a profound effect with this simple magical operation.
SHARE — This is the most important of all, creating an outward wave, actually a psychic “shock wave”, that reaches millions ultimately, but it all starts with you actually clicking the button that says “SHARE” on my postings.
SUBSCRIBE — I don’t care whether you subscribe or not, but it helps the ratings and the trendings, which is what gets our message out there, so please, please, please remember to click the button that says “SUBSCRIBE”.
GENERATE MEMES — Create some content about our work, which can be as simple as taking one of my pages or comments or one single word or phrase with an attribution, which looks like “– e.j. gold”, or some such, like a sutra, and sticking the text onto your own photo or some image you like, and posting it with the hope that it will get shared out and maybe go viral, so add your name right at the text point. This is beyond the pale for most folks, so if you are totally challenged by sticking a text onto a photo, forget Work Thing #5 and just stick to the first four.
Want some WORK PROJECTS that are FREE and are far more challenging? Contact me on the chat at the ICW or my morning show and I’ll be glad to discuss it with you in open forum, so everyone can benefit, not just one person — gosh, that sounds so awfully socialistic, don’t it? What I mean is, it increases the necessity, and that guarantees a better transmission. Continue reading →
If there are any Official Secrets to Music, these are they:
1. Tell a Story — this simply means any story about the simple nursery song that you’ve selected for this exercise (such as “Mary Had a Little Lamb”, or “Jack & Jill” or “Sing a Song of Sixpence” — any story will do, including that there isn’t one, ie; a rambling exploration of random notes and measures. Usually it means a story, pure & simple, describing the song’s major points, such as the fact that the farmer lived in a dell, had a wife, many chicks, ducks, geese, horses, cattle, swine, and a couple of wild and crazy dogs with a penchant for handouts. A story like that generally begins with a beginning, goes on a while in the middle, and stops at the end. The MIDDLE part is generally about the obstruction, the pain, the misery or the angst of it all. A typical song story is “my baby done left me”, whether you hear it in blues, folk, pop, ballad, country-western, jazz or classical, it’s always about relationships of one kind or another. That’d be human/human (read as: “human over human”) and bottle/human and a whole chain of seductions that read more or less the same. The story is told verbally before the instrument is sounded. The STORY should NOT take more than 1 minute to tell, especially the “Boy Meets Girl, Girl Gets Drownded, Boy Gets Hanged sort of murder-ballad you’ll find commonly in folk music.
As many of you know, I learned my gun-spinning and fast-draw from Sammy Davis, Jr. and Jerry Lewis when I was under contract to Universal Studios; I also worked at several studios as a coach and technical adviser, as well as unit manager and continuity.