I’m up and running thanks only to Jenny, our powerful generator that enables me to continue working in spite of the frequent power and communication blackouts we have here, and the fact is, they are commencing to double-down and triple-down on these deliberate power blackout shutdowns. No videos today, not even showing some of my newest latest thumbnail creations on this blog. Continue reading
When transcending compound-complex wave-forms, you’ll want a Resonance Factor of about 10.0 with a Beat-Frequency Oscillation of zero or about zero.
Jiggle & Bounce are two factors you’ll want to note, both results of integrated and differential vector analyses. The Vagueness and Weirdness of the quantum world will cloud up any ordinary results.
Non-located vibration sources require harmony, hence harmonic tuning is indicated when riding a continuous wave in a diodal formation.
Essence Memory is the footprint of all your memories of all your lifetimes and non-meat excursions, meaning spirit flights during intermission or interregnum.
Pitch, Roll & Yaw are automatically adjusted in-flight. You don’t have to do anything to correct them.
Remember that there are eleven different directions, or “dimensions”, including upness, downness, sideness, deepness, timeness, in-ness, outness, and a few more to contend with when voyaging in any dimension.
Frequency Shift through Parallel or Serial Universes can be transcended. Continue reading
Why my coins are not hobo nickels:
Simply put, I have a fine-art approach to the coin carving, not a numismatic one. I don’t care much for hard-edge art and care even less for literalism and so-called “realism”, which isn’t anywhere close to realness. I use a free-form line, more drawing and sketching than the tightly repressed world of gravure you generally see, although there are more artists discovering coin engraving every day, and more artistic renderings are available.
Look on eBay to see many examples of recent hobo nickel art and other coin carvings.
The story of the hobo nickel arising out of the hobo jungles of the 1929-1939 Great Depression is simply that when you got hold of a spare nickel, you could carve it into a dollar’s worth of food and lodging. I like to use the same spirit in carving my coins as the hobos enjoyed in their day, meaning that I scratch at it — I don’t slice and cut the way a modern engraver would and should do. My approach is more “Paleo”, more basic, more street-wise and less technological, less dependent on civilization to maintain it.
Most hoboes used an ordinary 6-penny nail or a broken file to scratch their carvings into the nickel, and it’s those moves I’m trying to duplicate. Continue reading