Incredible New Discovery — Radio Crystal EMO WaveForm Charms

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Plowing a field into furrows, waveforms on the surface of a coherent polyhedron.

Yes, you read it right — radio crystal EMO WaveForm charms — and furthermore, I meant every word of it. I’ve been on the jewelry bench from about midnight, trying to work out the frequencies of my new radio crystal EMO charms, and damned if they don’t come out right on the money, at a high harmonic of the long low wave at 7.6 hz frequency.

Standing Waves are important to you, even if you never heard of them before, and what’s more, propelling and mutating waveforms and passing waves and waveforms in general are also vital for your work life. Waveforms are easy to understand, and there are plenty of experiments you can conduct personally for your own edification, so that you can finally understand what they are and how they can be used for your work on self. Continue reading →

ZOOMSHOP – Rainbow Beads

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Mood Rings were so popular in the 1960s that absolutely everyone was wearing one.

Ever since Steve — who also created “Ocean in a Bottle”, the “Mood Organ” and the Rock Light-Show — invented the Mood Ring back in the Day, I’ve wanted the equivalent in beads, but it never happened, for two reasons, and the first reason was that the market wasn’t ready for them. They belong in the 21st century.

The second reason was the chemistry. The Psychedelic Mood Ring was sloooowwwwww to react to changes. The modern Rainbow Bead reacts quickly and accurately to changes of mood and temperament.

The most important difference between Mood Rings and Rainbow Beads is the extent and completeness of the color spectrum through which they will flow. The Rainbow Beads are capable of millions of colors, while ordinary “mood” items  have a very limited range of color variations.

My American-Made Rainbow Beads are actually rainbows. You will see literally millions of colors in a spreading halo of interacting colors, creating a spectacular effect that can only be fully appreciated in full sunlight.

The basic Quantum Effect behind the Rainbow Bead is that it reacts with color in accord with the Chakras and the Aura, reflecting the color or colors that you are manifesting at this very moment. Continue reading →

EMO MALAS Are Here at Last!!!

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In this past life, I wore a SPIRIT-SEEKING MALA under my chemise, circa 1899.

ALL MALAS CAN BE BUILT AS KITS or purchased ready-made as described below.

This is to announce the introduction of the EMO Mala. It is a long Victorian-Style necklace which goes over the head to wear, and hangs down about to mid-chest. It is handcrafted by E.J. Gold with alternate pulses of EMO beads and solid copper Bali-Style Hedgehog beads, with a core of heavyweight solid copper wire. There is no clasp. The MALA is long, Victorian length, and is generally placed over the head, like a Hawaiian lei, although a shorter necklace version with a clasp is available.

MALA KITS — $189

YOU CAN BUILD YOUR OWN MALA and save $$$$. Each EMO MALA KIT comes with everything you need to build the MALA except the .16 gauge wire, which you provide. No tools are included with this jewelry crafting kit, and you will only need a jewelry-style round needle-nosed pliers and a flush-cutter to make ANY of these EMO MALAS.

The following EMO MALAS are all available as kits. They are described as handbuilt by E.J. Gold as completed pieces, with a price listed for completed piece and a lower price for the u-built-it kit.

The HEDGEHOG bead is the key to the Quantum Effect. The Hedgehog has since the dawn of time been used to splay energy patterns over a curved surface, creating L-waves and Coldwave Antenna Effects crucial for any q-effect. Continue reading →

Take the Copper Challenge

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Normal Blue Emo-Indicators are sparked by Ancient Style Copper Hedgehog Beads.

NORMAL BLUE MEDITATION BRACELET KIT — $49.95

The EMO INDICATOR beads turn colors when worn. Many years ago, a primitive version of this bead was called a “Mood Ring”. The space-age materials used now are very much lighter and more resistant to wear. NORMAL BLUE is a meditation device attuned to the Schumann Harmonic. Keep in the Blue and enjoy Deep Meditation & Infinite Harmony. Here’s how to construct your Normal Blue Meditation Bracelet: Continue reading →

How to Handle the Elements

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Rare 19th century British Victorian crystal beads in a variety of settings — note the different bead caps.

All jewelry, in fact all engineered structures, have one thing in common; they are made up of a collection of elements. What is an element? It is a single repeatable item — in the case of JAL jewelry, this consists of a series of beads on a wire, to wit:

  1.    Form a loop at one end of the 4″ long .20 gauge copper wire.
  2.    Wrap the end of the wire to finish the loop.
  3.    Press the cut end of the wire deeply into the wrapping so it doesn’t catch on anything.
  4.   Thread on a 4mm round copper bead.
  5.    Add a spacer bead.
  6.    Add a bead cap if wanted, with the hollow side toward the main bead.
  7.    Add the gemstone or main bead.
  8.    Add a bead cap rotated opposite the first cap.
  9.    Add another spacer bead.
  10.    Add another 4mm round copper bead.
  11.    Make a loop to close off and finish the element.

Continue reading →

ZOOMSHOP — Jewelry Workshop Subjects

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Here are SOME of the subjects I’ll be covering in the upcoming ZOOMSHOP Workshop:

  1. Beads as Money.
  2.  How beads are made.
  3. The Djenne Trade Route.
  4. Excavations & Tomb Raiders.
  5. Types of Beads.
  6. Common Bead Shapes & Colors.
  7. Stone Beads.
  8. Glass Beads.
  9. Metal Beads.
  10. Wooden Beads.
  11. Ceramic Beads.
  12. Drill Holes & Their Significance & Causes.
  13. Detective Workshopping Your Ancient Beads.
  14. A Short History of Beads.
  15. Detective Workshopping Your Found Bead Collection.
  16. How to Use a Loupe.
  17. Bead Identification & Labeling, Correct Procedures.
  18. What is the Gauge of This Unmarked Wire?
  19. What is Gauge anyway?
  20. Carats vs. Karats — Which is Which???
  21. How to Weigh Precious Metals.
  22. How to Weigh Precious Gems & Convert Weight to Carats.
  23. How to Use the “Tare” Button on a Scale.
  24. What is Patina and What is its Cause?
  25. What is Iridescence?
  26. Detecting Fakes.
  27. Correct Excavation Techniques & Strata Recording.
  28. What Ancient Beads are Okay to Wear???
  29. What Metal Should I Wear?
  30. Wearing Glasses — Keeping Something Between Eyes & Metal.
  31. Staying Ahead of Yourself.
  32. Patience With the Metal & Your Own Incompetence.
  33. Handling Ego Threat Caused by Ignominious Failure.
  34. Consistency is Everything.
  35. Relaxing the Face Mask While Silversmithing.
  36. Dancing Hands & Graceful Design Lines.
  37. Good Wishing While Working Makes Good Jewelry More Sacred.
  38. High Attention Pays Off.
  39. Working in Groups of Elements.
  40. Avoiding Multi-Tasking, the Invention of the Lazy Dog.
  41. Remaining Calm Regardless of Provocation While Silversmithing.
  42. Continual Eye Contact With Working Area of Metal or Gemstone.
  43. Correct Breathing Technique While Silversmithing.
  44. Collecting Metal Scraps for Later Use.
  45. Minimizing the Scrap down to Zero, Techniques for Using Scrap.
  46. Constant Cleanup Just Like Kitchen Maintenance.
  47. Right Action Hammering.
  48. Looping Correctly.
  49. Flourish Style Bending and Hand Manipulation of Wire.
  50. Finish Your Work, and That Includes the Parts we Can’t See!!!

That’s only part of the list of items I MUST COVER during the ZOOMSHOP workshop.

See You At The Top!!!

gorby

Time Travel with Ancient Beads

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Be free from the confines of time, new for 2015.

If you’ve ever wanted to contact a past life, ancient beads are a great and inexpensive way to make solid and powerful quantum connections. Since I acquired my ancient beads, which was from 1960-1989, I’ve been salting them away for psychometric use.

Many of the more expensive beads went into Jewels of Ancient Lands productions, sold many years ago in Beverly Hills, San Francisco, New York & Atlanta jewelry boutiques for many thousands of dollars.

Those fabulous ancient and medieval glass and stone beads are long-gone, and cannot be repeated. The bead market that came out of Mali, Africa, has vanished forever — all you’ll find at that once-great international bead market are beads coming out of other places, notably Pakistan, China and Ethiopia. Continue reading →

Ancient Bead Heaven

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Jewels of Ancient Lands (http://www.jewelsofancientlands.com) is renowned for its collection of newly-made necklaces, earrings, bracelets and other jewelry items made with actual ancient stone, shell, faience, glass and bronze beads. Over the past several decades, a vast store of “extra” ancient beads began to amass itself. It is this group of more than 10,000 ancient beads, many of which have not been in the marketplace for over 30 years, that is being offered in this one-day “trunk-show” sale at Mana Beads in Nevada City, California.

Some of the beads in the show date back to the very beginning of civilization, the Late Stone Age, about 10,000 years ago. The cultures represented range from Egyptian 18th Dynasty through Greek, Roman, Medieval and Genuine rarely seen African Tribal beads made in Africa by Africans during the 19th century.

Other cultures represented will be early Tibetan, Pre-Columbian, Western Asiatic, Mongolian and more.

Also featured will be silver and gold rings, bracelets, earrings and necklaces artisaned in Grass Valley & Nevada City, all of which are made precisely in the ancient style, using .925 sterling silver or 18 karat gold, together with guaranteed authentic ancient beads most of which are over 2,000 years old.

Prices start at only $4 per bead. These “starter” ancient beads are intended for the youngster beginning collectors, but an adult may buy one for a gift to a youngster.

Very rare beads can run much higher, into the hundreds. Serious bead collectors will not be disappointed. No collection this large, this extensive or this important in the ancient bead trade has been shown for many years, and some of the beads in the collection cannot be replaced at any price.

The reason for the sale? To introduce young people to the vast and wonderful world of history — the collection will be curated and sold by a group of educators, who also happen to be members of FAXL, a local “geezer band” that will be playing jazz, blues, folk-rock and a bit of bluegrass, if they’re asked, just outside the shop, on the front guest area.

Refreshments will be served.

See You At The Top!!!

gorby

Should I Go To Magic School???

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Tamara asked whether she should go to a local magic school, and I told her that if she penetrated the French Drop & Heb Production with a Magic Bead, she’d be able to deduce all the principles of magic from that, provided she did so in front of an audience at least once per day, as well as before the mirror. The whole principle rests on the fact that you have to learn ALL the basics of magic — misdirection, pause, timing, passes — everything, in order to do what I do on-camera here:

http://youtu.be/Uj5AzahyacQ

Save yourself time, money & grief. Don’t enroll in an expensive, time-consuming Magic School, unless you plan to use it as a social networking gig as well.

Get a Magic Bead and Master the French Drop! You can order the beads from me individually — they vary in price, quality and rarity and run anywhere from $5 a bead to $5,000 a bead for a 4,500 year old antiquity with some pedigree papers.

You can also order my DVDs on the French Drop.

You may NOT order the Advanced French Drop until you post a video with your French Drop acceptably performed at least three times in a row before an audience — the deal is, they have to be equally astonished the third time they’ve seen the exact same trick two times beforehand.

You will note that I did NOT reveal the secret, even when showing the television audience the “unsafe” angle! Go thou, and do likewise! This blog, by the way, is an example of the real value of electronic blogs — we did the video just hours ago, it got posted and I wrote the blog just a while after that, and you have the opportunity, if you know to look here, to vew — note that I did NOT say “read”, but “view” — the blog. It has color, sound, movement, immediacy and immersion. You can’t get that on a sheet of paper, at least not yet.