Where the heck are we headed with all these high-pressure systems crashing into each other, socially and economically? We can ask Hon. Hannah C. Dugan, the judge they busted for the Dread Effect, or we could analyze it: Okay, let’s break it on down: Continue reading
Listen up:
The world’s falling apart faster than you can refresh your newsfeed.
The smart ones are already making moves.
The rest?
They’re busy arguing on the internet. Continue reading
That’s the Museum of Ancient and Modern Art, which is now totally accessible thanks to the digital age. Continue reading
the Epic Fails Tour: 2025 Edition. For a guy who blusters like he’s playing 4D chess, he sure fumbles like he’s trying to play it with mittens on backwards. Let’s list a few of the big screw-ups from his recent stretch — we could turn this into a timeline of bumbling hubris if we want: Continue reading
What’s needed in troubled times is camouflage — not hiding the object, but changing its story in the eyes of the enforcers.
“What’s this?”
“Oh, that? Just a little homemade emergency crystal radio like they made in the thirties. Runs on radio waves. Great for hiking.”
“What’s this strange symbol on your t-shirt?”
“Fractal Image I made for my Visual Arts Class. Totally decorative.”
You’re not just hiding in plain sight — you’ve made the truth unrecognizable to the ordinary person. That’s how the inner work survives while the outer world blows itself to smithereens. Continue reading
1. “One Line, One Song” Challenge (Social Hook):
Start a social challenge—“Drop one line, we turn it into a song.”
Short post, short ask. Great for: Continue reading
I’m the only member of the New York School to have had a show at the Cedar Tavern itself, but I have photo evidence of it, and all the survivors & families showed up! Margaret Randall and Alan Ginsberg were the two top poets of the Beat Generation — beatniks. Continue reading
“The Dust Shall Not Be Settled”
A Spoken Word Invocation with Score & Duet Continue reading
I’m working on the staging for a musical stage review called “Atlantica, Pacifica & Trumpland” and I’ve got the first four musical numbers worked out, plus a little dialogue between, which is in iambic pentameter, the style and structure used famously by William Shakespeare, because I like the rhythm and it’s easier for the actors to memorize. Continue reading